In the middle of the 11th century there was an exceptional time of economic expansion, based on new forms of dominium. At the same time, a new system sprung up of pariahs that enriched the christian kingdoms: the muslim gold that was destined to aid the war, but also it was intended for the churches and monasteries. This was the case of Santa Maria La Real of Najera, constructed thanks to the spoils obtained by the christians in the conquering of Calhora in 1045.

The new monastery of San Millán in Yuso had the same origin. In 1030 the King of Pamplona Sanchez III el Mayor , accompanied by a court of bishops and monks, elevated the mortal remains of San Millán to the altar. The rite was equivilant to the canonization of the saints. The relics are now kept in a silver urn. The King took advantage to impose the rule of San Benito.

At the death of the King, his son, Garcia Sanchez I, the well known King don Garcia of Najera, decided to transfer the relics to the recently constructed Santa Maria La Real monastery. The emilianense monks, hurriedly prayed to the saint asking him that he could prevent in some way this looting. Something must have happened, because the relics never reached their intended destination. The legend says that the oxen pulling the cart stopped dead in their tracks and no human could move them either forwards or backwards, the saint had listened to his own people.

 

The monks lived in an era of well being under the dominium of navarro.


 

Monastery of Santa Maria La Real, that was founded by the Navarron King Don Garcia "el de Nájera" "he from Nájera".

Interpreting the sign like a warning from heaven, the King was the first to stop the undertaking and order in that same place the construction of a monastery as dignified as in Najera that would protect the sacred mortal remains. A little time after the monarch died and his successor, King Sancho Garcés, commissioned the abbot to elaborate another urn more beautiful.

In the workshops of the monastery they worked the wood, the steel, the stone and also the gold, silver and the ivory. The result was a luxurious chest, adorned with ivory panels, that told grafically the life of San Millán. The chest was encrusted with precious stones and lined with an arab material from the 11th century.

Also in those days, the year 1040, Domingo de Cañas, prior of Suso and later to Santo Domingo de Silos, was banished for denying to submit the monastery to the unjust intentions of the King don Garcia el de Najera.

The construction of the monastery (that of the buildings from the 16th century traces were rubbed out) lasted for fourteen years. The building was more spacious than that of Suso. Arranged like a graceful romanic church, ample cells, refectory, a square with pigeon lofts and hen house, rooms for the monastic school, etc. One part of the emilianense community - each more numerous - abandoned the density and uncomfort of the mountain at Suso to take shelter at the bottom of the valley, on the riverbed of the river Cárdenas, in the monastery of Yuso. Another group remained in the primitve lifestyle.

 

With the construction of the monastery at Yuso in 1053, part of the emilianense community abandoned the density of the mountain (Suso) to install themselves in the valley on the banks of the river Cárdenas.


Procession of the relics of San Millán depicted in a painting on a panel from the 17th century.

 


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History 4 off 11